Showing posts with label brian sibley. Show all posts
Showing posts with label brian sibley. Show all posts

Sunday, December 25, 2011

Adriana Caselotti Snow White Clock

This Snow White clock comes from Brian Sibley who received it as a gift from Adriana Caselotti back in 1988, the year following the release of his Making of the Classic Film book. The clock is inscribed to Brian, and during a recent correspondence, he shared this anecdote about Adriana and her generous spirit...
As you know from the photo I sent you (and the fact that I own a clock) all friends (and a lot of acquaintances) were given such things. She kept a stock of clocks which were dismantled and signed on the face and put back together during your visit! And she SOLD sets of photos via her own primitive mail order service. She may have made a few dollars from fans who just wrote to her but I never had to buy any, and to best of my knowledge, anyone she got to know more than casually were given the 'full set' all signed. Certainly over the years she sent or gave me many versions as well as signing them for friends of mine, and on one occasion, my Mum! :)


Inscription reads...
To Brian Sibley, You are magnificent! I wish you a continued beautiful and successful life. Love, Adriana Caselotti, Voice of Snow White, 1988.

Images courtesy of Brian Sibley via Decidedly Disney. Used with permission.

Monday, October 31, 2011

50th Anniversary of Snow White (1987)

The clock is ticking down as we move closer to 2012 and a year of 75th anniversary celebrations for Snow White and the Seven Dwarfs. Diamond jubilees don't come along everyday so it's certain that Disney has something singularly grand in the works. But for now, we'll spend this entire month looking back--reliving Snow White's 1987 50th Anniversary--the promotions, the festivities, the merriment.

Disneyland Festivities, July 17, 1987.
Image courtesy of the Raymond Collection. Used with permission.


1987. It was the year of Snow White! The Golden Anniversary Celebrations saw over 100 official licensees offering commemorative merchandise and memorabilia. There were parades and stage shows, a radio broadcast and television specials. And even though the movie had just been re-released four years earlier in 1983, the 50th anniversary brought it back for a major international theatrical run. It opened on July 17, 1987 in thousands of theaters, in 60 countries, and on six continents. Further still, the princess and the dwarfs participated in live public appearances at children's hospitals, the Smithsonian Institution, the Rose Parade, and the Superbowl. They even made it onto the floor of the New York Stock Exchange in celebration of Disney's highest-ever first quarter revenues.
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Variations of this anniversary insignia were seen on an array of things including dolls, pins, posters, plates, postage stamps and banners.











Logo found on Disney Collection doll box.











Disneyland Street Banner. Image courtesy of Harborhouse55. Used with permission.



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With July 17th as the date of the theatrical re-release, it was a day-long publicity blowout at the Anaheim theme park with swarms of people---guests, cast members and Disney suits. The Disneyland Post Office even had a temporary booth set up outside the gates. There you could purchase a postage stamp and they would cancel it on anything you wanted, postcards, envelopes, posters...whatever you brought them.

 Disneyland Post Office, July 17, 1987.
Image courtesy of the Raymond Collection. Used with permission.

The event cover cachet below was hand-designed by a Snow White enthusiast. The young entrepreneur then took a stack of these envelopes to the theme park and had the postage cancelled with the official Disneyland Station US Postal rubber stamp. This special stamp featured an image of Dopey and read "Celebrating the Golden Anniversary of Snow White and the Seven Dwarfs."

Snow White Cachet created by Toms Collectibles n More. Image used with permission.

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Cast members at Disneyland wore this special "50th Anniversary" name tag. It was used for a very limited time during the celebration months and only at the California theme park.

Snow White DL Name Tag. Image courtesy of the Name Tag Museum. Used with permission.

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The 35mm film reels used in the theatrical screenings were adapted to the widescreen format of 1:85 to 1 but they preserved the original aspect ratio of 1:33 to 1 so nothing was missing from the image. The movie was printed on LPP stock and had Dolby stereo sound. A total of five reels made up the film. Shown below is reel #3 which was approximately 20 minutes in length.


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The North American one-sheet movie poster was created with raised gold foil on the lettering and the highlights on Snow White's dress and bow (which scanned black in the image below). A "50th Anniversary" banner ran along the bottom.

 
 Buena Vista re-release (R-1987). Rolled One Sheet (27" X 41") 

Lower Banner on Snow White Gold Foil Movie Poster

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This was also the year that co-authors Brian Sibley and Richard Hollis published their timely book, Snow White and the Seven Dwarfs and the Making of the Classic Film and Brian broadcast his BBC radio program, Fairest of Them All.

Snow White Book by Brian Sibley and Richard Hollis.

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Among all the hoopla, Snow White even received a star on the Hollywood Walk of Fame. See video of the event in an earlier post.

Snow White Hollywood Star

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So here we go! Break out your princess walking shoes because we're about to take a month-long stroll with Miss White down Golden Anniversary Lane.

Monday, January 24, 2011

Brian Sibley's Radio Presentation - The Fairest of Them All

Brian Sibley, co-author of the book, Snow White and the Seven Dwarfs and the Making of the Classic Film, was also the creator of the BBC radio program, Fairest of Them All, which in 1987 marked the movie's 50th anniversary. As with his book, the audio presentation covered in wonderful detail the story of this motion picture and its making. Included are sound bites from the film, Hollywood news reports from the Carthay Circle premiere, interviews and anecdotes from animators and a wealth of other information.

Written and presented by Brian Sibley, the broadcast first aired over 23 years ago on 'Meridian', BBC World Service, December 8, 1987. Now go grab yourself a cup of hot tea, sit back and relax as you listen to this original program in its entirety...

 
The Fairest of Them All by Brian Sibley
Radio presentation used with permission from the author.

Tuesday, November 23, 2010

Adriana Caselotti - The Voice of Innocence

A boss with a vision. Hundreds of multi-talented artists at the ready. And a project the likes of which had never been seen before. Nothing short of monumental was the collaborative effort put forth by the men and women who made Snow White and the Seven Dwarfs.

Fans and animation historians today can easily rattle off a throng of celebrated names whose creative and dedicated labor contributed to the massive success of the film. The animation was stunning, the multiplane photography innovative, the music composition sublime, and the story tight as a drum. Yet, the crowning stroke was Walt Disney's choice of Adriana Caselotti as "the voice of Snow White." She was the perfect "icing" for this awe-inspiring "cake".

Caselotti was born in Bridgeport, Connecticut, May 16, 1916 to a very operatic family...
Her father Guido, an immigrant from Italy, taught music in New York City, her mother Maria (from Naples) sang at the Royal Opera, and a sister Louise was a noted opera singer and voice teacher. Source: IMDb.
Adriana received her formal schooling at a convent near Rome while her mother sang in the Opera. Upon returning to America, her father trained her in the art of hitting those high notes.


Authentic Autographed Adriana Caselotti 8x10 courtesy of Brian Sibley (signed in his presence).

As Hollywood looked to expand its use of this new technology called "sound", the early 1930s saw operetta being incorporated more and more into motion pictures. MGM's The Merry Widow and Disney's own Silly Symphony The Goddess of Spring  were two such projects released in 1934. Snow White, already in development during this period, would feel their influence.

Left: The Merry Widow (1934). Image via Alt Film Guide. Copyright Metro-Goldwyn-Mayer.
Right: The Goddess of Spring (1934). Image via ASIFA-Hollywood Animation Archive. Copyright Disney.

Snow White Wishing Well scene (1937). Image via Ink and Pixel Club. Copyright Disney.

Walt knew that finding the right voice for his heroine would be critical to the charm and success of the movie. Snow White more the anything was the embodiment of innocence. The actor who played her must exhibit this vocally. So important was the quest to find the perfect lead that more than 150 girls had already auditioned for the part when Guido Caselotti, now working as a vocal coach in Los Angeles, got a call from, Roy Scott, a Disney talent scout.

The story of how Adriana listened in on the extension to her father's conversation is an oft-repeated Snow White anecdote. When Scott asked Guido if he knew of any young singers that might fit the role, she immediately chimed in with a recommendation of herself. Hearing that Walt Disney was looking for the voice of a younger girl, Adriana, 19 at the time, sang and spoke into the phone with her now familiar operatic child-like intonation. Her embarrassed father told her to get off the line, but not before Scott had invited her to come to the studio for an audition.

Walt Disney Studios 1926-1940. Image via Floyd B. Bariscale. Creative Commons License. 

Candidates for the title role would be brought into the soundstage where they'd sing and read lines for the casting director. If the girl seemed promising, Walt would be paged to come hear the voice for himself. Not wanting to be influenced by the appearance of the girl, he had a wire run to his office near to the stage so he could listen in on a speaker without having to see what she looked like. When Adriana performed, Walt knew she was the one. "That's the girl! That's Snow White!" The search was over and the contract signed.

Adriana started recording on January 20th, 1936. She was paid $20 a day for 48 days of recording and took home a total salary of $970. During the sessions, she continued to speak and sing her lines in what she considered to be the voice of a 14 year old, "but I never told Disney that. He never knew."

There was no one to play off of for her lines and no musical accompaniment for her singing (except for Frank Churchill plunking away with one finger on the piano). She had to carry it all on her own which she admitted was not always easy.

Occasionally spoken lines gave Caselotti's child-voice trouble... 
One of the lines was, 'Grumpy. I didn't know you cared'. Instead of that I couldn't get the DNT at the end of: 'didn't'...I would say 'din". We rehearsed this thing over and over again and Walt said, "Listen, you're going to have to put this thing in there'. So I tried again--fine in rehearsal and came the take. I still got it wrong and Walt said, 'Oh, the hell with it...' And it's still there.*

Image via AcePhotos, posted by crown022002.

Adriana breathed life into the title character and imbued her with the endearing qualities of innocence and grace--just what Walt was looking for. It's difficult to imagine the film without her. And yet, it's interesting to note that at the 1937 Carthay Circle premiere, she was not considered to be one of the invited guests. The main artists and animators were given tickets, but apparently the voice actors were not. This didn't stop Adriana.

She showed up with Harry Stockwell, the voice of the prince, on her arm. When they reached the ticket booth, they were told by the attendant that their names were not on the list. 'Tickets? We don't have any tickets--I'm Snow White and this is Prince Charming!'** The attendant, of course having no idea who these two were, refused their request. The two stars of the film stepped aside and waited until no one was looking. Then quietly they slipped upstairs to one side of the balcony to watch the movie.

It was the Golden Age of Hollywood and a time when studios held contract over their actors. Walt owned Caselotti's voice. Not wanting to spoil the illusion of Snow White, he prevented her from working in other films or even appearing on radio shows. Except for a vocal bit part in The Wizard of Oz (1939) and an uncredited performance as the Singer at Martini's in It's A Wonderful Life (1946), Adriana would never really work in motion pictures again.

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Later in life, Adriana was to say that she may have only received $970 for her role, but it really didn't matter if she ever got a penny. She was just grateful for having the opportunity of being part of this great film.

Actively involved with many of the re-releases of the motion picture including the 50th Anniversary in 1987, Adriana would appear on radio, in television specials and at other publicity events.

She was also asked to re-record the "I'm Wishing" song which plays at Disneyland's Snow White's Grotto.

(Left) Adriana poses next to Snow White poster outside Mann's Theatre in Hollywood, 1987. Image via of David Lesjak at Vintage Disney Collectibles. Used with permission.




At age 70, Adriana is seen in this 1986 video below with the same spirit and spunk she possessed as an 18 year old. It's a wonderful glimpse into her joyful personality.

Adriana Caselotti interview. Video posted by yensidnaf.


This autographed 8x10 photo of Adriana is one of thousands that she would sign and sell to fans as a form of income...

Autographed 8x10. Image via AcePhotos. Posted by sunrise1982.


Adriana embraced her Snow White persona even to the extent of having a full size Wishing Well built in the front yard of her Beverly Hills home. Located at 201 S. Larchmont Blvd., the house contained Snow White figurines and other memorabilia. Even her telephone answering machine was set with her recording of "I'm Wishing".

Adriana Caselotti's Larchmont home. Images (top row) courtesy of btmeacham, (bottom row) via California Jarod. Used with permission.


Snow White researchers and authors Brian Sibley and Richard Hollis visit Adriana outside her home in 1988. Pictured (L-R): Brian Sibley, Adriana, her then-partner Florian, and Richard and Christine Holliss. Photo shot by long-time Snow White buff Muir Hewitt. Image via Brian Sibley's flickr. Used with permission.



Honored as a Disney Legend in 1994, Adriana was invited to leave her handprints in cement during the ceremony. Later a bronze cast would be created and the plaque put on display at the Disney Legends Plaza (dedicated October 16, 1998) at the Walt Disney Studios in Burbank .


Image (left) courtesy of Scott Wolf. Used with permission. Learn more about the Disney Legends at Scott's MouseClubhouse.com.
Bronze Handprints. Image courtesy of DarthValley. Used with permission.


Adriana was the true embodiment of the childlike nature that Walt Disney sought to reach in people--and the perfect choice for the role of Snow White. In 1995, she told a reporter, "I know that my voice will never die." She was so right.

Adriana Caselotti passed away on January 19th, 1997 at the age of 80.


* Adriana Caselotti quoted in Walt Disney and Europe by Robin Allan, p.41.
** Adriana Caselotti quoted in Snow White and the Seven Dwarfs--The Making of the Classic Film by Brian Sibley and Richard Hollis, pp. 35-36.

Saturday, October 9, 2010

2001 Snow White Home Video Posters

Video store poster advertising the release of the Platinum DVD...

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2001 Video Store Poster 26 x 40"


In 2001, the Borders Bookstore chain was offering a pre-order gift of Brian Sibley and Richard Hollis' book with the purchase of the video. Within the store stood a Snow White floor display about 5' high. Below are the posters (that were attached to a cardboard backing) which made up this triangular three-sided "standee".

2001 Borders Bookstore Standee Posters (16" x 56")

All images from personal collection.

Friday, October 1, 2010

1994 Snow White Home Video - The Masterpiece Collection

All three North American 'home video' releases of Snow White and the Seven Dwarfs have occurred in the month of October--in 1994, 2001 and 2009. So we'll spend this October looking at each of these in detail.

After 57 years and 9 theatrical releases, Snow White made it's way into people's living rooms on October 28, 1994. This VHS and LaserDisc release was the last of the "Golden Age" Disney films to do so, and it marked the start of a new line of videos entitled the Walt Disney Masterpiece Collection.

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1994 VHS in Clamshell case.

For the serious Snow White enthusiast, Disney produced an Exclusive Deluxe Video Edition listed as a "$120 value". The box contained:

A. The digitally mastered movie on VHS
B. Second VHS, The Making of a Masterpiece
C. Book, SWSD: The Making of the Classic Film by Brian Sibley and Richard Hollis
D. Ten lithograph reproductions of the original North American one-sheet posters
E. Certificate of Authenticity with signature of Roy E. Disney


The Making of a Masterpiece VHS...



The Making of the Classic Film book...

Book Cover © 1994 Disney Editions


COA...

All Deluxe Limited Edition VHS items from personal collection.




A Deluxe Edition was also released on LaserDisc. See a very thorough review of this disc with loads of photos at Disney LaserDisc Database.

1994 LaserDisc Deluxe Edition box and disc sleeve. Image courtesy of TreasuredTracs. Used with Permission.

Also see close-ups of all ten lithographs in next post.

Saturday, August 7, 2010

Marge Champion Autographed Postcard

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Signed Marge Champion Diamond Edition postcard. Courtesy of Brian Sibley.


Brian had the opportunity of spending some time with Marge in 2009. You can read more at his Decidedly Disney blog

Image copyright Brian Sibley.

Monday, May 24, 2010

Brian Sibley - From Snow White and Pooh to Hobbits and Poppins!

Well-known British author, Brian Sibley, is one prolific writer! In fact, you need to be one fast reader (or listener) if you hope to keep up with all the material he has published. From his books to radio broadcasts, the subject matter he covers is some of the most fascinating and entertaining on the planet.

Image (right) via Wikipedia.





I know of Brian's work first and foremost from his co-authored book (with Richard Hollis), Snow White and the Seven Dwarfs and the Making of the Classic Film. The text examines in detail just how Walt Disney and his team of animators created this landmark film. Published in 1987, this title was an excellent compliment to the movie's 50th anniversary. Re-issued in 1994, it accompanied the first ever home video release of Snow White. Beautifully illustrated with images of original concept art, background sketches, cel art, and vintage posters, it's a great read and a must for any animation enthusiast, classic Disney fan, or up-and-coming Snow White votary. I've read it several times cover to cover.

Cover © 1987 Simon and Schuster

Cover © 1994 Hyperion

Cover © 1994 Disney Editions

Books: In addition to writing about Snow White, his books include (to name a few) The Disney Studio Story, Mickey Mouse: His Life and Times, The Lord of the Rings: The Making of the Movie Trilogy, and Mary Poppins: Anything Can Happen if You Let It.

Radio: His career in radio began with a 1974 broadcast to mark the 50th anniversary of the publication of A. A. Milne's Winnie-the-Pooh. He's written both documentaries and dramatizations including programs on Sherlock Holmes, Dracula, Alice in Wonderland and The Lord of the Rings (below).  He's also created broadcasts on such writers as Ambrose Bierce, Roald Dahl, and Ray Bradbury (again, to name just a few). 

Video: Brian has appeared on numerous bonus DVD extras including those for Snow White and the Seven Dwarfs, Pinocchio, The Jungle Book, Mary Poppins, and The Lord of the Rings trilogy. Also see below the voice over in the trailer for The Boys: The Sherman Brothers' Story.

Video posted by brianonthebox (aka Brian Sibley)

Finally, here's a plug for Mr. Sibley's new blog, Decidedly Disney. One of the first posts happens to be on Snow White sugar cookies. Decidedly delicious!

Brian Sibley's Snow White Sugar Cookies

Sugar Snow and the Seven. Image © Brian Sibley 2010

Read about Brian's 10+ year-old Snow White cookies on his Decidedly Disney blog.

Saturday, January 16, 2010

On the Train to Hollywood

After its premiere on December 21, 1937 and then subsequent release to theaters on February 4, 1938, Snow White and the Seven Dwarfs became an instant worldwide critical and financial success. The film enabled the Disney brothers to pay off their entire loan of over $1,480,000 to the Bank of America as well as build a brand new state-of-the-art studio.

Disney's Folly it was not.














Yet some 15 years prior, Walt Disney was broke. He was living in the Kansas City office of his Laugh-O-Gram studio, taking baths just once a week at Union Station. It was 1923, and unable to make a profit, his studio went bankrupt. He sold his movie camera to pay for a one-way ticket to Hollywood.

Walt Disney reminiscing many years later about this point in time:

I met a guy on the train when I was comin' out. It was one of those things that kind of made you mad. I was out on the back platform--I was in my pants and coat that didn't match but I was riding first class. I was making conversation with a guy who asked me, "Goin' to California?"

"Yeah, I'm goin' out there."
"What business you in?"
I said, "The motion-picture business."
Then all of a sudden. "Oh, is that right? Well I know somebody in the picture business. What do you do?"
I said, "I make animated cartoons."
"Oh."
It was like saying, "I sweep up the latrines."

Some people make you mad, and you want to prove something to them even though they mean nothing to you. I thought of that guy...when we had the premiere of Snow White. And that darn thing went out and grossed eight million dollars around the world.

Excerpt from: Snow White and the Seven Dwarfs: The Making of the Classic Film by Richard Holliss and Brian Sibley (page 35)